Exhibition Review: Hotel 87 and Other Relics at Elisabetta Cipriani Gallery Elisabetta Cipriani Gallery in London played host to one of the season’s most thought-provoking jewellery exhibitions. Curated by luxury writer and curator Melanie Grant, ‘’Hotel 87 and Other Relics’’ (23–27 September 2025) coincided with the launch of her new Phaidon title, ‘’The Jewelry Book’’. […]
Goldsmith’s Fair 2025
New Directions in Jewellery made in the UK A warm welcome by the Head of Fair, Harriet Scott Harriet Scott welcomed warmly distinguished visitors, collectors and jewellery enthusiasts in this year’s Goldsmith’s fair on the 22nd of September showcasing the work of 136 makers presenting a broad and diverse selection of contemporary jewellery, goldsmithing and […]
Old Cut Diamonds
The Renaissance of Old Cut Diamonds: When Timeworn Sparkle Becomes Timeless Style In a world captivated by precision and brilliance, a quieter, more romantic sparkle is finding its way back into the spotlight.
A Conversation with François Santo
With over three decades in the world of fine jewellery, François Santo has become known for his uncompromising craftsmanship, poetic storytelling, and devotion to Italian heritage.
Naturals Pearls Treasured
Natural pearls have long symbolised beauty, elegance, and prestige. From ancient royal courts to modern museums, these rare gems have shaped economies, inspired legends, and adorned some of the most powerful people in history.
Beads Conference
The Language of Beads: An International Symposium on Global Adornment In the heart of London’s historic Piccadilly, beneath the dignified arches of Burlington House, a remarkable symposium brought together an international panel of scholars, artists, and historians
Cartier the Magnificent
Opening this Saturday, the V&A will stage the UK’s first major exhibition in almost 30 years dedicated to Cartier jewels and watches, exploring how the Maison became an unparalleled force in the jewellery and watch world.
Wallace Chan: When Time Carves the Light
Born in Hong Kong, shaped by the silence of Buddhism and the discipline of Eastern philosophy, Chan perceives jewelry not as a symbol of luxury, but as an instrument of meditation.